A few months ago, I had the privilege of seeing a one-time screening of one of the rarest films in Philippe Garrel's oeuvre, La concentration (1968), which was screened in 35mm as part of the Film Society of Lincoln Center's Jean-Pierre Léaud retrospective. Little has been written on La concentration, and little was known about it prior to this screening, but in my essay I have outlined the plot, its aesthetic qualities, the themes Garrel is working with, and the critical context of the film in 1968 and how this rare film is understood by cinephiles and other filmgoers in the twenty-first century. Here's my essay on Flickchart: http://www.flickchart.com/blog/philippe-garrels-la-concentration-1968-seeing-rare-films-in-the-present/
About Grant
- Grant Douglas Bromley
- New York, NY, United States
- Filmmaker and essayist. Director of DREAMS OF THE WAYWARD ('13) and QUIT WHILE WE'RE BEHIND ('18). Film Studies MA graduate of Columbia University.
Thursday, June 29, 2017
Thursday, June 22, 2017
ESSAY: “Cost Analyzing Every Slot Machine” – An Appreciation of SHOWGIRLS
Here's my latest essay on the Flickchart blog concerning Paul Verhoeven's much maligned masterpiece, Showgirls (1995):
http://www.flickchart.com/blog/cost-analyzing-every-slot-machine-an-appreciation-of-showgirls/
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